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OverviewFull Product DetailsAuthor: David Bordwell , Kristin ThompsonPublisher: McGraw-Hill Education - Europe Imprint: McGraw Hill Higher Education Country of Publication: United States Edition: 9th Revised edition Dimensions: Width: 21.00cm , Height: 2.00cm , Length: 28.10cm Weight: 1.070kg ISBN: 9780073386164ISBN 10: 0073386162 Pages: 544 Publication Date: 01 January 2010 Audience: College/higher education , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: Temporarily unavailable The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you. Table of ContentsPart One: Film Art and Filmmaking Chapter 1. Putting Films on Screen Part Two: Film Form Chapter 2. The Significance of Film Form Chapter 3. Narrative as a Formal System Part Three: Film Style Chapter 4. The Shot: Mise-en-Scene Chapter 5. The Shot: Cinematography Chapter 6. The Relation of Shot to Shot: Editing Chapter 7. Sound in the Cinema Chapter 8. Style as a Formal System Part Four: Types of Films Chapter 9. Film Genres Chapter 10. Documentary, Experimental, and Animated Films Part Five: Critical Analysis of Films Introduction: Writing a Critical Analysis of a Film Chapter 11. Sample Analyses Part Six: Film Art and Film History Chapter 12. Film Art and Film HistoryReviewsAuthor InformationDavid Bordwell is Jacques Ledoux Professor Emeritus of Film Studies at the University of Wisconsin-Madison. He holds a master's degree and a doctorate in film from the University of Iowa. His books include The Films of Carl Theodor Dreyer (University of California Press, 1981), Narration in the Fiction Film (University of Wisconsin Press, 1985), Ozu and the Poetics of Cinema (Princeton University Press, 1988), Making Meaning: Inference and Rhetoric in the Interpretation of Cinema (Harvard University Press, 1989), The Cinema of Eisenstein (Harvard University Press, 1993), On the History of Film Style (Harvard University Press, 1997), Planet Hong Kong: Popular Cinema and the Art of Entertainment (Harvard University Press, 2000), Figures Traced in Light: On Cinematic Staging (University of California Press, 2005), The Way Hollywood Tells It: Story and Style in Modern Movies (University of California Press, 2006), and The Poetics of Cinema (Routledge, 2008). He has won a University Distinguished Teaching Award and was awarded an honorary degree by the University of Copenhagen. His we site is www.davidbordwell.net. Kristin Thompson is an Honorary Fellow at the University of Wisconsin-Madison. She holds a master's degree in film from the University of Iowa and a doctorate in film from the University of Wisconsin-Madison. She has published Eisenstein's Ivan the Terrible: A Neoformalist Analysis (Princeton University Press, 1981), Exporting Entertainment: America in the World Film Market 1907-1934 (British Film Institute, 1985), Breaking the Glass Armor: Neoformalist Film Analysis (Princeton University Press, 1988), Wooster Proposes, Jeeves Disposes, or, Le Mot Juste (James H. Heineman, 1992), Storytelling in the New Hollywood: Understanding Classical Narrative Technique (Harvard University Press, 1999), Storytelling in Film and Television (Harvard University Press, 2003), Herr Lubitsch Goes to Hollywood: German and American Film after World War I (Amsterdam University Press, 2005), and The Frodo Franchise: The Lord of the Rings and Modern Hollywood (University of California Press, 2007). She blogs with David at www.davidbordwell.net/blog. She maintains her own blog, The Frodo Franchise, at www.kristinthompson.net/blog. In her spare time she studies Egyptology. The authors have also collaborated on Film History: An Introduction (McGraw-Hill, 3rd. ed., 2010) and, with Janet Staiger, on The Classical Hollywood Cinema: Film Style and Mode of Production to 1960 (Columbia University Press, 1985). Tab Content 6Author Website:Countries AvailableAll regions |
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